Buffalo Bill Center of the West

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Buffalo Bill Center of the West

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  • Visit
    • Current HoursDecember 1–February 29: 10 a.m.–5 p.m. Thursday–Sunday
    • Hours & RatesPlan your visit to the Center of the West.
    • Group SalesWe welcome commercial group and bus tours.
    • Facility RentalsThe Center is the perfect place for your next event.
    • Visiting YellowstoneYour best stop on the way to or from Yellowstone.
    • LodgingSelect from a variety of local accommodations.
    • ItinerariesDiscover some quick day trips in and around Cody.
    • DirectionsFind driving directions and check road conditions.
    • StoriesFind your story among ours.
    • Calendar of EventsSee what events are happening during your visit here.
  • Explore
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      • Buffalo Bill Museum Buffalo Bill Center of the West
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      • Online Collections Buffalo Bill Center of the West
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      • ExhibitionsFind out what’s on view in our Center.
      • Beyond Our WallsSee how we bring the West to the World.
      • EventsFind out what programs, talks, and other events are coming up!
      • NewsroomStay up-to-date with all Center happenings.
  • Learn
    • School Programs & ResourcesEssential info and resources for teachers and students.
    • Family ProgramsFamily-friendly programs, activities, and craft ideas.
    • InternshipsCollege students may apply to gain museum experience.
    • Skype in the ClassroomLive, interactive K–12 field trips.
    • WorkshopsExplore hands-on programs for kids, families, and adults.
    • Conservation InternshipsTraining for conservators from all over the world.
    • Pre-K ProgramsSet up a guided tour for your preschool class.
    • Field TripsInvestigate outdoor adventures for adults and children.
    • Highlights MapsDiscover collection highlights in each of our museum.
    • Games and InteractivesLearn about the collection through online interactives.
    • Lectures & FilmsPlan for future talks and view past program videos.
    • Western EssaysDelve into historical information on western topics.
  • Shop
    • Books
    • Clothing and Accessories
    • Gifts
    • Native American Replicas
    • Fine Art
    • Quality Leather
    • Native American Jewelry
    • Navajo Rugs
    • Pottery
    • Prints
    • Media
    • Baskets
  • Research
    • McCracken Research LibraryFind books, photos, archives, media, and more.Buffalo Bill Center of the West
    • Digital CollectionsExplore our extensive photo and manuscript collections.
    • Archival Collection List and Finding GuidesBrowse inventories of archival collections.
    • The Papers of William F. CodyDiscover scholarship on the man and the myth.
    • Fellowship ProgramContribute to new scholarship using Center collections.
    • Buffalo BillUncover in-depth information about William F. Cody.
    • Greater Yellowstone Natural HistoryLearn more about the Greater Yellowstone Ecosystem.
    • Western ArtDelve into the lives and works of western artists.
    • Plains IndianDiscover more about Plains Indian tribes and collections.
    • FirearmsFind a firearms bibliography, glossary, and more.
    • ConservationFind out how we preserve Center collections.
    • Rights and ReproductionsLicense or reproduce images from our collections.
  • Support
    • Planned GivingLeave your legacy with a bequest or estate gift.
    • Patrons BallAttend our annual gala fundraiser.
    • MembershipBecome a supporter and receive great benefits.
    • VolunteerSupport the Center with your time and talent.
    • Our next raffle car: a 1967 Pontiac GTOBuy your tickets online for this amazing prize!
    • Give TodayMake a donation to programs and operations.
    • Why I SupportSee what motivates donors to give to the Center.
    • We have a winner for the car raffle for 2019Winner: from Lusk, Wyoming, with ticket #0553
    • Raptor ExperienceHelp provide care for our avian friends.
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Home > Explore > Whitney Western Art Museum > Interactives > The Battle of Greasy Grass

The Battle of Greasy Grass

Powerfully titled The Battle of Greasy Grass, artist Allan Mardon depicts the controversial history of the Battle of Little Bighorn. The title derives from the Lakota name for the battle, termed after the “greasy” appearance of the grass in the waters near the battle site. The composition of the work presents duration of time by capturing the significant moments between 3 p.m. June 25, 1876, to 3 p.m. June 26, 1876Striving for historical accuracy, Mardon gathered modern accounts from Native Americans and formulated a contemporary composite that includes individuals unrecorded by others like Paxson—Cheyenne witness Kate Bighead, Bismark Tribune reporter Mark Kellogg, and African American scout Isaiah Dorman.

Custer
Why are there two norths?
The soldiers judged direction by using the magnetism of the North and South Poles, while the Indians used the position of the stars, sun and moon to guide them. Because Custer’s men and the Indian warriors found their way by using different methods, the north of the soldiers did not point in the same direction as the north of the Indians. This could explain why the soldiers’ accounts of the Battle of Greasy Grass were different from accounts told by the Indian warriors.

Cheif Gall
Who is this? This is Crazy Horse, an Oglala (Sioux) warrior. He is featured twice in this painting. He is shown to the left of Custer Hill (see image on reverse side) and riding with Sitting Bull, to the left of Reno Hill. Why is Crazy Horse covered with white spots? According to Indian accounts, when Crazy Horse was a child, he spent three days on a hilltop without food or water. He was waiting for a holy sign and put pebbles between his toes and rocks under his head so that he would not fall asleep. Crazy Horse had a vision. He saw a long-haired warrior, who could not be harmed with bullets or arrows. Crazy Horse did not speak of his vision until he was sixteen years old. From then on he painted white hailstones on his body and drew a streak of lightning from his forehead to his chin before going into battle.

George Walter Yates
After Captain Keogh is killed, troops move onto Custer Hill. The Indians surround the soldiers and attach them from the north, east, and south. Some of the soldiers are killed by gunfire, while others die from being struck with hatchets or clubs. Lieutenant-Colonel Custer is about to die. According to an Indian eyewitness account, “Long Hair (Custer) stood like a sheaf of corn with all the ears fallen around him. One man was kneeling, that was all.” The Indian warriors would later call this the “second last stand.”

Crazy Horse
A camp of “seven circles” (Hunkpapa, Oglala, Minneconjou, Sans Arc, Brule, Cheyenne, and Blackfeet Indians) is set up along the bank of the Greasy Grass River (also called the Little Big Horn). People are digging for wild turnips, swimming in the river, and doing their daily chores. Long Hair (the man that some call Custer) doesn’t know it, but there are almost 10,000 people camped here and about 3,000 of them are warriors! Several young warriors run into the camp to tell the people that there are soldiers coming. Everyone is surprised and not ready to fight.

Wounded Soldier
Sitting Bull was an important Hunkpapa (Sioux) spiritual leader and many of the Plains Indian people respected his advice.
During the Battle of Greasy Grass, Sitting Bull traveled to different parts of the battlefield. Since this painting shows what is happening over a twenty-four hour period, Allan Mardon has chosen to show Sitting Bull four different times.
Picture #1: Sitting Bull is shown in the camp of “seven circles” praying with the tribes.
Picture #2: Sitting Bull leads the women, children and elderly men to safety.
Picture #3: Sitting Bull is seen riding with Crazy Horse, to the left of Reno Hill.
Picture #4: Sitting Bull calls an end to the fighting and says, “Let the soldiers go.”

Wounded Soldier
This is Kate Bighead, a Cheyenne (Plains Indian) eyewitness of the Battle of Greasy Grass (Little Bighorn).Kate Bighead told her story to Dr. Thomas Marquis in 1922. According to Dr. Marquis’ written account, Kate Bighead said, “I found a pony and followed the warriors to watch the fighting as I often did since my nephew, Noisy Walking, expected me to watch and sing songs to give him courage. I rode around the outer fringes of the fighting, staying out a range of bullets as I searched for Noisy walking. In this way I could see what was happening.”

Wounded Soldier
Picture #1: Majors Reno and Benteen take their troops to Weir Point, after having been convinced by Captain Weir and Lieutenant Edgerly that they should help Lieutenant-Colonel Custer.
Reno and his officers can see the Indian warriors on top of Custer Hill. The Indian warriors are shooting at the wounded soldiers lying on the ground. The mounted Indians are using army guidons (company flags on poles) as coup sticks. Coup sticks are weapons that the Indians used to touch their enemies in battle.
Picture #2: The Indian warriors have spotted Reno and his troops. Reno’s troops retreat to Reno Hill.

Wounded Soldier
Isaiah Dorman is the only black man in this battle. He is a translator and scout for Custer’s army. Dorman dies during the battle. Isaiah Dorman was hired by the war department in 1865 (after the Civil War had ended) to serve as a courier (a mail carrier). He was paid $100.00 a month. (This was a lot of money in 1865.) Each month Dorman traveled almost 100 miles, on foot, between Fort Wadsworth and Fort Rice. He walked with his sleeping bag tossed over his shoulder and the mail wrapped in a waterproof cloth. Each trip took five days to complete. He did this work off and on for about two years and then disappeared. He spent most of his time with the Sioux and married a Santee (Plains Indian) woman.

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