Home » Forged & Founded: Western American Sculpture, A New Bronze Age

Forged & Founded: Western American Sculpture, A New Bronze Age

Henry Kirke Brown. Choosing of the Arrow, 1849. Bronze. William E. Weiss Memorial Fund Purchase. 7.16.1

The ancient technique of casting sculpture in bronze took a fresh turn in 1849, when Henry Kirke Brown created Choosing of the Arrow, one of the first bronze sculptures cast in the United States. The trajectory of bronze casting in America can be traced from statuettes, like Brown’s classical nude, manufactured for an emerging class of collectors to monumental bronzes that graced new, grand public spaces across the country.

Professor Carol Clark discussed A New Bronze Age: American Sculpture 1850 – 1925 and sculptors’ choices of western American subject matter in our 2017 symposium, Forged and Founded. Don’t miss the opportunity to hear Clark, a renowned scholar, examine how American Indians, cowboys, and animals unique to North America reinforced a growing nationalism at the turn of the twentieth century.

Carol C. Clark

Carol Clark earned a B.A. in History and a M.A. in the History of Art from the University of Michigan, and her Ph.D. in the History of Art from Case Western Reserve University. Prior to her appointment at Amherst College, she was a Prendergast Executive Fellow at the Williams College Museum of Art and served as the curator of paintings at the Amon Carter Museum of American Art. Since 1987 she has been on the Amherst College faculty, now emerita. Her most recent book, Charles Deas and 1840s America, won the Western History Association’s Joan Patterson Kerr award. Clark is an Advisor Emeritus of the Whitney Western Art Museum.


Written By

Nicole Todd avatar

Nicole Todd

Nicole Todd was formerly the Curatorial Assistant for the Whitney Western Art Museum. She graduated from the University of Oklahoma, with bachelor’s degrees in Zoology and Art History, and a master’s degree in Art History, with a focus on western American art and a specialization in Will James’s art. As Curatorial Assistant, Nicole engaged in art historical research, supported educational programming, answered public inquiries, and contributed to the Whitney’s online presence.

You May Also Like