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Coming to the Call

Date: ca. 1905

Medium: oil on canvas

Catalogue Number: 02775

Credit Line: Private Collection

Dimensions: 27 1/4 x 40 1/4" (69.3 x 102.2 cm)

Illustration: Collier's Weekly (August 19, 1905), p. 14-15, color halftone.

Inscription: ll: Frederic Remington-

Illustration Inscription: ll: Frederic Remington-


Provenance: The artist; Robert J. Collier, $500; [?]; (Howard Young Galleries, New York, New York); Alfred G. Wilson, Detroit, Michigan; Estate of Matilda R. Wilson, Meadow Brook Hall, Rochester, Michigan; (Parke-Bernet Galleries, Inc., New York, New York, December 10, 1970); Private Collection; (Sotheby's, New York, New York, May 30, 1984); (J. N. Bartfield Galleries, New York, New York); present owner

Related Images

Catalogue number 02775a

Exhibitions

Frederic Remington: The Masterworks. St. Louis, Missouri: Saint Louis Art Museum, March 11 - May 22, 1988; traveling exhibit: Cody, Houston, New York.
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Frederic Remington: The Masterworks. Cody, Wyoming: Buffalo Bill Historical Center, June 17 - September 5, 1988; traveling exhibit: St. Louis, Houston, New York.
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Frederic Remington: The Masterworks. Houston, Texas: Museum of Fine Arts, October 15, 1988 - January 8, 1989; traveling exhibit: St. Louis, Cody, New York.
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Frederic Remington: The Masterworks. New York, New York: The Metropolitan Museum of Art, February 10 - April 16, 1989; traveling exhibit: St. Louis, Cody, Houston.
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Catalogue of the Collier Collection: An Important Collection of Original Drawings and Paintings by Distinguished American Painters and Illustrators; Works Especially Executed for and Exclusively Reproduced in Collier's Weekly. New York, New York: American Art Galleries, American Art Association, November 4-11, 1905.
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Bibliographies

Remington Art Memorial. A Catalogue of the Frederic Remington Memorial Collection. New York: Privately Printed for the Remington Art Museum, Ogdensburg, New York, by the M. Knoedler Galleries, 1954.
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McCracken, Harold. Frederic Remington: Artist of the Old West. Philadelphia: J. B. Lippincott Co., 1947.
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Samuels, Peggy and Harold. Frederic Remington: A Biography. Garden City, New York: Doubleday & Co., Inc., 1982.
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Card, Helen L. "Frederic Remington, 1861-1909: Artist Historian of the Old West." Scrapbooks of Remington illustrations, compiled c. 1944. Vol. 1-5. The Metropolitan Musem of Art, New York, New York.
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Parke-Bernet Galleries, Inc. Important American Paintings, Sculpture and Drawings 18th, 19th, 20th Century. New York, sale 3133, (December 10, 1970).
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Sotheby's. Important American Paintings, Drawings and Sculpture. New York, sale 5190 (May 30, 1984).
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Current Literature, (November 1907).
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Earle, Helen L. Biographical Sketches of American Artists. Lansing, Michigan: Michigan State Library, 1924.
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Remington ledger book of paintings, 1903-1909. No. FRAM 1918.266. Frederic Remington Art Museum archives, Ogdensburg, New York.
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The Saint Louis Art Museum in conjunction with the Buffalo Bill Historical Center. Frederic Remington: The Masterworks. New York: Harry N. Abrams, Inc., Publishers, 1988.
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Remington ledger book of paintings, 1908-1909. No. FRAM 71.837. Frederic Remington Art Museum Archives, Ogdensburg, New York.
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Remington, Frederic. Remington's Four Best Paintings. New York: P. F. Collier & Son, 1908, portfolio of four Remington prints: Caught in the Circle}, Coming to the Call}, His First Lesson}, and Evening on a Canadian Lake}, presented in a manila envelope.
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Ballinger, James K. Frederic Remington. New York: Harry N. Abrams, Inc., Publishers, 1989.
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Samuels, Peggy and Harold. Remington: The Complete Prints. New York: Crown Publishers, Inc., 1990.
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Gerald Peters Gallery in association with Mongerson-Wunderlich Galleries. Frederic Remington. Santa Fe, New Mexico: The Peters Corporation, 1991.
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Collier Catalogue of prints, some called "artist's proofs," of varying sizes in b/w or color on pebbled art paper or board of Remington paintings illustrated in Collier's Weekly - see Collier print file for listing and individual painting record for print info.
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Collier catalogue of prints, some called "artist's proofs," of varying sizes in b/w and color on pebbled art paper or board of Remington paintings illustrated in Collier's Weekly, 1907.
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Collier catalgoue of prints, some called "artist's proofs," of varying sizes in b/w or color on pebble art paper or board of Remington paintings illustrated in Collier's Weekly.
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Twenty-five Art Pictures Representing the Best Work of America's Greatest Artists. New York: P. F. Collier & Son, no date, portfolio with five Remingtons: Calling the Moose}; Coming to the Call}; Downing the Nigh Leader}; The Buffalo Hunter/Runner}.
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National Museum of American Art. Inventory of American Paintings. Washington, D.C.: Smithsonian Institution. On-line computer database in progress; BBHC copy for Remington's paintings dates October 10, 1984.
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Jussim, Estelle. Frederic Remington, the Camera & the Old West. Fort Worth, Texas: Amon Carter Museum, 1983.
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Allen, Douglas. "Remington: An American Original." Step-By-Step Graphics, vol. 5, no. 1 (January 1989), p. 118-125.
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Tatum, StephenIn the Remington Moment. Lincoln, NE: University of Nebraska Press, 2010.
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Hassrick, Peter H. The Frederic Remington Studio, rev. ed. Cody: Buffalo Bill Historical Center, 1994.
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The information presented here is based on the Catalogue Raisonné edited by Peter Hassrick in 2016 and was accurate to the best of our knowledge at that time.

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