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Meet the Staff

Meet the Curators

Susan Barnett

Margaret and Dick Scarlett Curator of the Whitney Western Art Museum

Susan Barnett, the Margaret and Dick Scarlett Curator of Western American Art at the Whitney Western Art Museum

Susan Barnett serves as the Margaret and Dick Scarlett Curator of Western American Art for the Whitney Western Art Museum at the Buffalo Bill Center of the West. Her extensive museum career spans leadership, curatorial, and collections roles, as well as consulting in exhibition curation, collections stewardship, nonprofit board development, marketing, and strategic planning. Twenty-five years in Montana—including time on working cattle ranches, in museums, and as a gallery owner—deepened her connection to the American West and its art. Barnett previously curated for the Yellowstone Art Museum in Billings and welcomed the chance to return to the Rocky Mountain West when appointed to the Whitney. She earned an MA in Art History and a Museum Studies certificate from the University of Wisconsin–Milwaukee in 2011, and a BA in Printmaking from Montana State University–Bozeman. Her recent work highlights contemporary Western artists such as James Bama, Will James, Tracy Linder, and Bill Stockton. Research interests include Euro-American and Indigenous arts, studio craft, photography, and printmaking. With a background in studio art, she brings deep insight into materials and artistic processes.

Dr. Ashlea Espinal

Assistant Curator, Whitney Western Art Museum

Ashlea Espinal, Whitney Western Art Museum Curatorial Assistant

Dr. Ashlea Espinal joined the Whitney Western Art Museum in November 2021 as Curatorial Assistant and was promoted to Assistant Curator in May 2023. Before joining the Whitney, Espinal completed a MA in Art and Museum Studies at Georgetown University in 2010, and her doctorate in Native American Art History at the University of Oklahoma in 2019.

Espinal has served as an art history adjunct instructor from 2019 to 2020 for both the University of Oklahoma and Bacone College. Additionally, she has held numerous internships at museums throughout the country, including the Smithsonian National Museum of African Art and the Denver Art Museum. Her area of focus is contemporary Native arts, and her research and curatorial work merge the disciplines of art history, visual culture, and cultural memory. She is particularly interested in how knowledge is stored and transmitted through art, and how this enables history to be visually written through art and objects.