Nancy McClure

June 28, 2018

Bierstadt: Indigenous Plains People and the Bison

Plains peoples of Bierstadt’s time are often celebrated as “buffalo cultures.” This designation acknowledges the historical centrality of bison as a physical…

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Boone and Crockett Club Meeting Minutes, January 9, 1889. University of Montana – Missoula, Mansfield Library, Boone and Crockett Club Records, 1888-2009, MSS 738

Bierstadt: Boone and Crockett Club

In 1888, Bierstadt became a charter member of the Boone and Crockett Club, North America’s first conservation group committed to preserving and…

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Albert Bierstadt, Point Lobos, California, 1875. Oil on canvas painting. Gilcreaase Museum, Tulsa, OK. 0126.2304 (detail)

Bierstadt: Animal Painter

Throughout his painting career, Bierstadt found inspiration in the animal kingdom. His sketches and observations of wildlife and domestic animals reveal his…

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Albert Bierstadt's Last of the Buffalo (detail). 2.60
June 26, 2018

Bierstadt: The Last of the Buffalo

In 1888, the year Bierstadt joined the Boone and Crockett Club, he began work on two major paintings, both titled The Last…

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June 24, 2018

Bierstadt: Bison as a Symbol of a Changing West

In the 1860s, many Americans preferred to imagine an empty West, ready for waves of new settlers. In Bierstadt’s early large-scale paintings,…

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Mathew B. Brady, Frederick West Lander, ca. 1857. Half-plate ambrotype. National Portrait Gallery, Smithsonian Institution; purchase funded by the photography acquisitions endowment established by the Joseph L. and Emily K. Gidwitz Memorial Foundation. NPG.2016.53

Bierstadt: Early Western Expeditions

Bierstadt traveled west in 1859 and 1863. These early expeditions offered the artist his first encounters with the region’s Native peoples, wildlife,…

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