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Remington Catalogue

Frederic Remington Online Catalog
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Bibliograpy:
Buffalo Bill Historical Center. Frederic Remington: An Exhibition
Honoring Harold McCracken
. Cody, Wyoming: Buffalo Bill Historical Center,
1974. [clear]






Viewing 1 – 96 of 130 artworks

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Attack on the Supply Train

00018

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Sunday Morning Toilet on the Ranch

00036

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Signaling the Main Command

00041

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Sundance

00215

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Mule Train Crossing the Sierras

00221

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The Capture of the German

00302

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On Guard at Night

00306

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An Ox Train in the Mountains

00320

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The First Shot

00323

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Unwelcome Visitors

00357

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Khe-he-ashtie Regarding the Caricature of his Squaw

00377

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Lieut. Johnson–10th Cav–

00402

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A Six-Fathom Canoe Bound North–Sketches from the Shore of Lake Superior

00415

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Heralding the Sunrise

00416

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A Peril of the Plains

00419

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Prospecting for Cattle Range

00430

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Hunting the Prong-Horn Antelope in California

00438

Taken from illustration

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Waiting for the Beef Issue

00500

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Pitched It Sheer into the River . . . Where It Still Is Seen in the Summer

00789

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Warrior, 1889

00929

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Questionable Companionship

00963

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Conjuring Back the Buffalo

00982

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The Buffalo Hunt

00989

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Selling Buffalo Horns, Canadian Pacific

01003

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“And With a Dexterous Cast of This Improvised Lasso Set the Loop of It about El Sabio’s Neck” ( altern.), 1890

01014

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A Steady Goer

01021

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The Charge on the Sun-Pole

01024

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Trout-Fishing Through the Ice in the Canadian Wilderness

01030

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The Navajo Indians

01052

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A Recruit from Civilization

01084

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The Governor’s Equipage

01101

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Canadian Mounted Police

01152

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The Mess Tent at Night

01175

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Opening of the Soldier Clan Dance

01183

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The Romantic Adventure of Old Sun’s Wife

01184

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Unhorsed

01192

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An Ideal of the Coast

01195

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The Trooper

01215

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Chis-Chis-Chash Scout on the Flanks

01225

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“Two Ghosts I Saw”

01227

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A Brush with the Redskins

01240

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A Sunday Afternoon Sport

01242

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Mexican Doorways

01258

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Infantry Covering the Withdrawal of Cavalry

01271

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Merry Christmas in a Sibley Tepee

01309

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Courrier [sic] du Bois

01320

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Painting the Robe

01322

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Pack-Pony

01433

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Paul Dorion

01434

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On the Big Horn

01463

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Troop L, First Cavalry–In Double Column of Fours: “Raise Sabre!”

01479

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Gathering the Rope

01506

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Reaction Equals Action

01508

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Arrest of a Poacher in the Forest

01608

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A “Trakehner” Horse-Wrangler

01619

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A Fractious Pony

01630

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Mexican Haciendero

01644

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The Music at the “Baile”

01709

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Mounting a Wild One

01741

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Getting Grub

01763

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Meal Time

01772

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A Sketch in Mulberry Bend: The Italian Quarter

01799

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Illinois National Guards Picket in the Streets of Chicago at Night

01839

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Captain Luther R. Hare, 7th Cavalry

01841

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Col. R.E.A. Crofton, 15th Infantry. Commander of Troops on the Lake Front

01842

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Leaving the Canon

01874

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Timber-Topping in the Rockies

01939

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A Cracker Cowboy

01995

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Fighting Over a Stolen Herd

01996

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The Fall of the Cow-boy

02004

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The Last Cavalier

02005

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There Was No Flora McIvor

02007

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Holding Up the Pay Escort

02009

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Custer’s Last Charge

02042

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The Crazy Horse Fight

02046

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“White Man’s Big Sunday”–Indian Visitors on Thanksgiving Day

02106

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The Borderland of the Other Tribe

02156

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The Gold Bug

02171

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Mexican Vaqueros Breaking a “Bronc”

02183

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A Misdeal

02184

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An Overland Station: Indians Coming in with the Stage

02191

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Riding Herd in the Rain

02196

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Old Monte

02240

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Lin McLean

02293

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In the Hands of the Camp Barber at Tampa

02298

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Loading Battery and Cavalry Horses on the Transports

02299

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Lying in the Road Before the Attack, San Juan

02300

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Picket Line, Tampa, Florida

02302

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War Correspondents Buying Horses in Front of the Tampa Bay Hotel

02308

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She Was Keep Off Jus’ Front of My Pony

02325

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Marching Thro’ Cuba

02343

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At the Bloody Ford of the San Juan

02379

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Captain Grimes’s [sic] Battery Going Up El Poso Hill

02381

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Pack Horse

02405

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In the Limelight

02409

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The Passion of Ah-We-Ah

02432

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Viewing 1 – 96 of 130 artworks

The information presented here is based on the Catalogue Raisonné edited by Peter Hassrick in 2016 and was accurate to the best of our knowledge at that time.