"'Don't Nobody Hurt Anybody,' Said Specimen Jones"
Date: 1894
Medium: oil on canvas, b/w
Catalogue Number: 01927
Credit Line: R. W. Norton Art Gallery, Shreveport, Louisiana
Dimensions: 25 x 35" (63.5 x 88.9 cm)
Illustration: Harper's Monthly (March 1895), p. 543, halftone.
Inscription: lr: Frederic Remington
Illustration Inscription: ll: Kurtz; lr: Frederic Remington
Provenance: Chicago Private Collection; (Parke-Bernet Galleries, Inc., New York, New York, May 24, 1944); Mr. R. W. Norton, Jr., Shreveport, Louisiana; present owner
Exhibitions
Ogdensburg, New York: Frederic Remington Art Museum, 1955 - 1960.
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Bibliographies
McCracken, Harold. Frederic Remington: Artist of the Old West. Philadelphia: J. B. Lippincott Co., 1947.
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Card, Helen L. "Frederic Remington, 1861-1909: Artist Historian of the Old West." Scrapbooks of Remington illustrations, compiled c. 1944. Vol. 1-5. The Metropolitan Musem of Art, New York, New York.
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Getlein, Frank. "The Lure of the Great West." Country Beautiful,
(1973).
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Dippie, Brian W., intro. Frederic Remington: Paintings, Drawings
and Sculpture. Shreveport, Louisiana: Norton Art Gallery, 1979.
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Wister, Owen. Red Men and White. New York: Harper & Brothers
Publishers, copyright 1895, published 1896.
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Parke-Bernet Galleries, Inc. Paintings by Old and Modern
Masters: Comprising Property of an Estate Sold by Order of Fifth
Avenue Bank of New York, Executors, and Property of the Estate of
Anne Depew Paulding, Mrs J. Macy Willets, New York, and Other
Owners. New York, sale 573 (May 24, 1944).
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Vorpahl, Ben Merchant. "My Dear Wister." Palo Alto, California:
American West Publishing Company, 1972.
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Splete, Allen P. and Marilyn D. Frederic Remington: Selected
Letters. New York: Abbeville Press, Inc., 1988.
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National Museum of American Art. Inventory of American
Paintings. Washington, D.C.: Smithsonian Institution. On-line
computer database in progress; BBHC copy for Remington's paintings
dates October 10, 1984.
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McKown, Robin. Painter of the Old West. New York: Julia
Messner, Inc., 1959.
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The information presented here is based on the Catalogue Raisonné edited by Peter Hassrick in 2016 and was accurate to the best of our knowledge at that time.
