Remington Catalogue
“Calling the Moose”
Alternate Title: A Call to Death
Date: 1901
Catalogue Number: 02567
Credit Line: None
Illustration: Collier’s Weekly (October 12, 1901), p. 8, halftone.
Illustration Inscription: ll: –Frederic RemingtonCopyright, Colliers Weekly/1901
Provenance: No information available
Exhibitions
Ogdensburg, New York: Frederic Remington Art Museum, 1955 – 1960.
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Bibliographies
McCracken, Harold. Frederic Remington: Artist of the Old West. Philadelphia: J. B. Lippincott Co., 1947.
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Samuels, Peggy and Harold. Frederic Remington: A Biography.
Garden City, New York: Doubleday & Co., Inc., 1982.
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Card, Helen L. “Frederic Remington, 1861-1909: Artist Historian of the Old West.” Scrapbooks of Remington illustrations, compiled c. 1944. Vol. 1-5. The Metropolitan Musem of Art, New York, New York.
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Remington, Frederic. Done in the Open: Drawings by Frederic
Remington. New York: P. F. Collier & Son, Publishers, 1902.
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Dippie, Brian W., intro. Frederic Remington: Paintings, Drawings
and Sculpture. Shreveport, Louisiana: Norton Art Gallery, 1979.
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Allen, Douglas, ed. Frederic Remington’s Own Outdoors. New
York: The Dial Press, 1964.
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Samuels, Peggy and Harold. Remington: The Complete Prints. New
York: Crown Publishers, Inc., 1990.
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Collier Catalogue of prints, some called “artist’s proofs,” of
varying sizes in b/w or color on pebbled art paper or board of Remington
paintings illustrated in Collier’s Weekly – see Collier print
file for listing and individual painting record for print info.
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Collier catalogue of prints, some called “artist’s proofs,”
of varying sizes in b/w and color on pebbled art paper or board of
Remington paintings illustrated in Collier’s Weekly, 1907.
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Collier’s reproduced Calling the Moose}, 1901, sepia print, 12
x 16-1/2″, image 8 x 13″, title below.
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Collier catalgoue of prints, some called “artist’s proofs,”
of varying sizes in b/w or color on pebble art paper or board of
Remington paintings illustrated in Collier’s Weekly.
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Twenty-five Art Pictures Representing the Best Work of America’s
Greatest Artists. New York: Collier’s}, n. d., portfolio of
prints, one Remington, Callin the Moose}, 12 x 16-1/2″.
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Twenty-five Art Pictures Representing the Best Work of America’s Greatest Artists. New York: P. F. Collier & Son, no date, portfolio with five Remingtons: Calling the Moose}; Coming to the Call}; Downing the Nigh Leader}; The Buffalo Hunter/Runner}.
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Tatum, Stephen. In the Remington Moment. Lincoln, NE: University of Nebraska Press, 2010.
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The information presented here is based on the Catalogue Raisonné edited by Peter Hassrick in 2016 and was accurate to the best of our knowledge at that time.