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Hole in the Day

Date: ca. 1905

Medium: oil on canvas mounted on board

Catalogue Number: 02752

Credit Line: Ray and Kay Harvey

Dimensions: 12 x 18" (30.5 x 45.7 cm)

Inscription: ll: "Hole in the Day."; lr: Frederic Remington/1908


Provenance: The artist; (Doll & Richards, Boston, Massachusetts, $250); Mrs. Harriet E. Freeman, Boston, Massachusetts; (M. Knoedler's & Co., New York City, no. 14082); John Levy, New York, New York; [?]; Private Collection, Oklahoma; (M. Knoedler & Co., New York, New York); (Parke-Bernet Galleries, Inc., New York, New York, January 29, 1964); [?]; (William Doyle Galleries, New York, New York, 2006); present owner

Exhibitions

New York, NY: Noe Art Galleries, February 5-17, 1906.
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Exhibition and Sale of Paintings and Drawings by Frederick [sic] Remington}. Boston, Massachusetts: Galleries of Doll & Richards, January 8-20, 1909.
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Bibliographies

Samuels, Peggy and Harold. Frederic Remington: A Biography. Garden City, New York: Doubleday & Co., Inc., 1982.
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Doll & Richards Gallery. Exhibition of Paintings By Frederic Remington. Boston: Doll & Richards Gallery, 1909.
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Remington 1909 diary. Frederic Remington Art Museum, Ogdensburg, New York.
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"Indians on Land and Wave. Exhibition of Paintings by Frederic Remington at the Noe Gallery." New York Times, February 10, 1906, p. 6.
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Remington ledger book of paintings, 1903-1909. No. FRAM 1918.266. Frederic Remington Art Museum archives, Ogdensburg, New York.
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Remington ledger book of paintings, 1908-1909. No. FRAM 71.837. Frederic Remington Art Museum Archives, Ogdensburg, New York.
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Parke-Bernet Galleries, Inc. American Paintings and Drawings: Mr. and Mrs. Clyde B. Hurtt; Mrs. Edith Gray Leonard, Jr.; Paul Magriel and Other Owners. New York, sale 2251 (January 29, 1964).
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National Museum of American Art. Inventory of American Paintings. Washington, D.C.: Smithsonian Institution. On-line computer database in progress; BBHC copy for Remington's paintings dates October 10, 1984.
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The information presented here is based on the Catalogue Raisonné edited by Peter Hassrick in 2016 and was accurate to the best of our knowledge at that time.