Remington Catalogue
Troop L, First Cavalry–In Double Column of Fours: “Raise Sabre!”
Alternate Title: Troop L, First Cavalry; Troop L, First Cavalry–“Raise Sabre!”
Date: ca. 1892
Medium: pen and ink wash on paper, b/w
Catalogue Number: 01479
Credit Line: Autry National Center, Los Angeles
Dimensions: 10 5/8 x 26 1/8″ (27.0 x 66.4 cm)
Illustration: Harper’s Weekly (February 13, 1892), p. 156, halftone.
Inscription: ur: Double Column of Four–Raise Sabre.–/”L” Troop/1st Cavalry–/Crow Indians–; lr: Frederic Remington.–
Illustration Inscription: lr: Frederic Remington.–
Provenance: Richard A. Nicholls, Richmond, Virginia: (M. Knoedler & Co., New York,
New York); Northern Natural Gas Company (later Enron Corp.), Omaha,
Nebraska; Enron Art Foundation, Omaha, Nebraska; present owner
Exhibitions
Art for Hire. Omaha, Nebraska: Joslyn Art Museum, September 29 –
November 10, 1985.
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Frederic Remington. Fort Worth, Texas: Amon Carter Museum,
January 1 – April 1, 1973.
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Artists of the Western Frontier. Omaha, Nebraska: Joslyn Art Museum,
July 3 – October 17, 1976.
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Frederic Remington: An Exhibition Honoring Harold McCracken.
Cody, Wyoming: Buffalo Bill Historical Center, May 1 – September 30,
1974.
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The West as Romantic Horizon. New York, New York: Kennedy Galleries Inc.,
1981.
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Legacy of the West Omaha, Nebraska: Joslyn Art Museum, August 21 –
October 17, 1982.
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Bibliographies
McCracken, Harold. Frederic Remington: Artist of the Old West. Philadelphia: J. B. Lippincott Co., 1947.
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Buffalo Bill Historical Center. Frederic Remington: An Exhibition
Honoring Harold McCracken. Cody, Wyoming: Buffalo Bill Historical Center,
1974.
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Card, Helen L. “Frederic Remington, 1861-1909: Artist Historian of the Old West.” Scrapbooks of Remington illustrations, compiled c. 1944. Vol. 1-5. The Metropolitan Musem of Art, New York, New York.
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Hassrick, Peter. Frederic Remington. An essay and catalogue to
accompany a retrospective exhibition of the work of Frederic
Remington. Fort Worth, Texas: Amon Carter Museum, 1973.
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National Museum of American Art. Inventory of American
Paintings. Washington, D.C.: Smithsonian Institution. On-line
computer database in progress; BBHC copy for Remington’s paintings
dates October 10, 1984.
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The information presented here is based on the Catalogue Raisonné edited by Peter Hassrick in 2016 and was accurate to the best of our knowledge at that time.